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Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    A Study of Scarlet

    Catherine Marshall
    Michel Pastoureau’s account of the history of the colour red is in many respects fascinating. But what worked well for his previous studies of black, blue and green comes up a little short for red, a colour which is oceanic and in whose multiplicity of meanings one might well drown.
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    Desperately Seeking Focus

    Catherine Marshall
    Desperately Seeking Focus
    An exhibition that confuses painting with reportage does not make for great art. History painting is not and was never meant to be reportage. Rather its aims were to instil feelings of reverence for the heroes of the past and pride in the stories that shape a nation’s identity.
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    Picturing the People

    Catherine Marshall
    Daniel Macdonald’s ‘An Irish Peasant Family Discovering the Blight of their Store’ is perhaps a strange painting for a man wanting to make his career in London to produce. Macdonald’s sympathy for the downtrodden and their culture is unique in his generation.
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    Captured By Light

    Catherine Marshall
    Captured By Light
    Stained glass is a difficult medium to make one’s living in. Even in wartime, when Wilhelmina Geddes received many commissions for memorial windows, her work was frustrated by the scarcity of lead, which was also needed for bullets and coffins.
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    Captured By Light

    Catherine Marshall
    Captured By Light
    Stained glass is a difficult medium to make one’s living in. Even in wartime, when Wilhelmina Geddes received many commissions for memorial windows, her work was frustrated by the scarcity of lead, which was also needed for bullets and coffins.
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    Captured By Light

    Catherine Marshall
    Captured By Light
    Stained glass is a difficult medium to make one’s living in. Even in wartime, when Wilhelmina Geddes received many commissions for memorial windows, her work was frustrated by the scarcity of lead, which was also needed for bullets and coffins.
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    A Massacre of Art?

    Catherine Marshall
    A Massacre of Art?
    A stimulating new study, focusing on one painting and its contemporary critical reception, illuminates the French painter Eugène Delacroix, a man who, ‘reactionary in his ideas, romantic in his talent’, was, according to Victor Hugo, in contradiction with his own works.
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    Irish Art Series

    Catherine Marshall and Rachel Moss
    The Royal Irish Academy’s five-volume history of art is a hugely ambitious project which has been five years in the making and involves two hundred and fifty contributors. Here two of its editors explain its range and place in the development of Irish art history.
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