"The drb sustains a level of commentary on Irish and international matters that no other journal in Ireland and few elsewhere can reach. It deserves all the support that can be given it." X
Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    How to be a Dub

    Tom Inglis
    Is it sufficient to have been born in the capital to be a true Dub? What if your parents and grandparents were born there too, but on the middle class southside? Would this let you in or do you have to have been born within the sound of the Hill 16 roar and talk like dis?

    News from the Glen

    Proinsias Ó Drisceoil
    The reissue of an ‘imaginative biography’ which first appeared in 1963 and which was written in the now defunct Tipperary Irish dialect reminds us of a time when Irish-language publishing was moving away from accounts of Gaeltacht life and beginning to favour modernism.

    Thomas Patrick Byrne

    Thomas Byrne
    Thomas Patrick Byrne (1901-1940) was a casual labourer and soldier until he emigrated to the US, just in time for the great depression. The first in our new series, Irish Lives, in which we will publish brief family histories. Submissions are welcome.

    An Irishman in Hollywood

    Harvey O’Brien
    Actors were clay in Rex Ingrams's sculptor’s hands, and his desire to shape and control every detail of his films had both positive artistic and inevitably negative interpersonal dimensions.

    The Orangeman who loved Ireland

    Andy Pollak
    The prolific singer, actor, traveller, film-maker and writer Richard Hayward, who died in 1964, was in many ways a pre-partition figure, the kind of Irishman who combined a passionate love of his country with a strong unionist allegiance that was not uncommon in the nineteenth century.

    Irish Art Series

    Catherine Marshall and Rachel Moss
    The Royal Irish Academy’s five-volume history of art is a hugely ambitious project which has been five years in the making and involves two hundred and fifty contributors. Here two of its editors explain its range and place in the development of Irish art history.

    Imagining the Irish

    David Blake Knox
    Good-humoured, charming, hospitable and gregarious, yet drawn to tragedy. Are the Irish subject to some kind of collective manic depression ‑ lurching wildly from exuberant craic to existential despair? Or is this just the kind of moonshine we like to feed our customers?

    A Voice Seldom Heard

    John Bradley
    There are two ways of responding to perceived injustice: you can complain, or you can get out. If you are loyal to the organisation you will not get out; your choice then is between speaking out and remaining silent. Micheál Mac Gréil chose to stay in and speak out.

    Back to the Well

    Fáinche Ryan
    The ‘ressourcement’ movement helped create the intellectual climate for the Second Vatican Council through its critique of a theology which had as its dominant concern not so much seeking an understanding of faith and mystery, as responding to and opposing heresies.

    The People’s Music

    Jeremy Kearney
    The British folk music scene began to thrive through its extensive club circuit in the 1950s and gave a platform to many Irish singers. It was seldom without tension, however, between purists like Ewan MacColl and others who put greater stress on enjoyment.