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Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    An Inch From The Everyday

    Kevin Stevens
    Ford’s narrators get into our ears. A master of first person narrative, he creates observers who are lyrical and philosophical yet confused; situated outside the principal action but profoundly affected by it; urged on by a desire for engagement with life but consistently puzzled by and fearful of the world’s random give and take. The lilt and tone and hesitancy of these voices lure us into their owners’ lives.
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    The Truth Teller

    Carol Taaffe
    Casement’s achievement was to observe and to testify, proving that the gross myths and exaggerations reaching Europe about these places were not gross myths and exaggerations at all. There is some irony in that. The cruelty which this novel underlines is that the life of Roger Casement -  a great documentarian, a man who exposed atrocious truths -   was to become forever synonymous with myth and distortion.
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    Having a Wonderful Time

    David McKechnie
    Hemingway himself describes the events to his family several weeks later, although in retrospect he would admit not remembering what had happened: “The 227 wounds I got from the trench mortar didn’t hurt a bit at the time, only my feet felt like I had rubber boots full of water on ... I kind of collapsed at the dug out. The Italian I had with me had bled all over my coat and my pants looked like somebody had made current jelly in them and then punched holes to let the pulp out.”
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    The Trials of Ulysses

    Joseph M Hassett
    John Butler Yeats recognised in Joyce “an intense feeling for what is actual and true” and saw that “[t]he whole movement against Joyce and his terrible veracity, naked and unashamed, has its origin in the desire of people to live comfortably, and, that they may live comfortably, to live superficially”.
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