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Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    Man of Marble

    Maurice Earls
    Man of Marble
    From 1820 to 1850, the sculptor John Hogan’s most productive period, he was largely based in Rome. Yet despite living abroad he was without question, and especially in terms of his subject matter and patrons – chiefly the Irish bourgeoisie and Catholic church – an Irish artist.
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    Oral Culture and Popular Autonomy

    Brian Earls
    William Carleton at times conceived of his great narrative enterprise as a form of naive ethnography, asserting that his stories contained more “facts” about Ireland than any previously published work. His sources were multiple, his sea of story extending from refracted folktales, via Victorian melodrama, to the most commonplace clichés of commercial fiction and, indeed, improving tales. At its heart are the narratives and other oral forms of the pre-famine Irish countryside. 
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    Vorsprung in the Free State

    Catherine Marshall
    When the Shannon hydroelectric scheme was built in the 1920s it rapidly became a major tourist attraction, even a new national monument. But it was a monument that offered a future in contrast to the thousands of historic sites that sang of what had been lost in the past.
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    Expunged

    Seamus Deane
    Two figures dominate in Breandán Mac Suibhne’s history of a Donegal community, one an informer, the other one of the hard-faced men who did well out of the Famine. Together they help ruin the community, transforming it into a world stripped of people and of communal ethics.
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    Backs to the Wall

    Andy Pollak
    The widely held view of the Northern Protestant working class is that it is reactionary, prone to violence and possesses little that could be called culture other than marching bands. This is certainly the view that has been promoted by republicans. The reality is a little more nuanced.
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    Drama in the Catacombs

    Máirín Nic Eoin
    A study of Irish-language theatre in the mid-twentieth century shows that in spite of considerable difficulties associated with the sociological realities of language capacities in the country there was, in particular in the 1960s, a quite thriving Gaelic stage culture.
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    Behind the Facade

    Cathal Moore
    A posthumously published work by an eminent architect and architectural historian gives a valuable insight into the practices of building, the divisions of trades and the sourcing of materials in Ireland during the Georgian period.
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    In the Mix

    Adrian Scahill
    A new study of the traditional music of Co Clare employs an approach which highlights the fluidity and play between periphery and centre, between the dynamic of flow and the rootedness of place, between past and future, music as heritage and music as a creative art.
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    Traffic in Mockery

    Adrian Paterson
    The selling off of Ireland’s cultural heritage makes for decent business. Recently the treasures of what the auctioneer described as ‘Ireland’s greatest literary and artistic family’ netted just shy of £2 million. Where, if indeed anywhere, does the public interest come into this?
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    Whiskey In The Jar

    Keith Payne
    An intoxicating new study of Irish pot still whiskey tells us what it is and how it is made, while also managing to bring into the blend economic and social history, gastronomy, revolution, science and alchemy, Prohibition, Catholic Emancipation and the temperance movement.
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