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Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    Places Like Home

    Catherine Phil McCarthy
    Poet Gerard Smyth and painter Seán McSweeney have produced a remarkable collaboration of words and images built around the farms, fields and landscapes of Co Meath, where each of them spent some time in childhood
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    Mother of Invention

    Mary Morrissy
    Éilís Ní Dhuibne is a deceptive writer, deceptively light in tone, deceptively erudite in her references, deceptively irreverent in her treatment of form. Her literariness betrays itself when she pulls the narrative rug from under the reader and in her likeness for embroideries and yarns.
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    Making Waves

    Patricia Craig
    A novel set on Rathlin Island at the end of the nineteenth century takes as its subject the arrival of Marconi’s men to conduct an experiment transmitting sound across the sea. It derives its considerable force from the conjunction of archaism and modernity, the clash of material and immaterial forces.
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    Hauntings

    Peter Sirr
    Mark Granier’s poems are full of skies and hauntings, the missing, the dead, time’s erasures, ‘the slow shift of light’, the closely observing eye lighting on the city and where the city meets light and water and sky. He is, as one poem has it, an eternal ‘cloud watcher, seawatcher’.
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    Reasonable Doubt

    Frank Callanan
    Reasonable Doubt
    A study of Joyce’s literary use of the law by the late Adrian Hardiman stresses the writer’s ‘persistent assertion of the need for philosophical and judicial doubt as a proper, moral and humane reaction to the inadequacy of evidence’.
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    Those Who Remain

    Julia O’Mahony
    The new collection from Katie Donovan presents an unflinching look at the realities of living with and caring for a husband with a terminal illness while also acknowledging the chance fragments of joy she experiences as she continues to raise her young family.
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    A Soul in Wonder

    Sean O’Hogain
    As a poet, Michael Longley has so many sides to him that he is, for all practical purposes, round. His lyrical gift is wedded to a lightly worn but well-used education, an eye for detail and an ear for music.
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    The Virags and the Blooms

    Martin Greene
    Ulysses may have no story, but it does contain a multitude of little ones. Though artfully assembled, these can also be difficult to follow because the information provided is often incomplete, widely dispersed, presented out of sequence or hidden in obscure passages of text.
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    His Poor Materials

    Liam Harrison
    Samuel Beckett’s fidelity to ‘trash’ objects – boots, bikes, bowler hats, crutches - his persistent use of them in different mediums, indicates that such objects held a unique position in his creative process, forming an ‘art of salvage’ which can be traced across his life’s work.
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    Sweet and Sour

    Anthony Roche
    Sweet and Sour
    The trajectory of Molly Keane’s life was different from most other people’s and most other writers’: the tragedy – the early death of her husband ‑came early and the triumph late. But what a triumph – three sparkling and successful late novels written in her late seventies and eighties.
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