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Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    Speak, Memory

    Jane Clarke
    A new study focuses on three generations of women poets, born between 1942 and 1983, exploring commonalities and differences across and within the generations through their engagement with memory, in all its fluidity and instability, as muse.


    Brendan Lowe
    A sonnet sequence by the poet Micheal O’Siadhail traces his experiences over the two-year period which culminated in his wife’s death from a terrible disease which makes war on human dignity.

    The Thing With Feathers

    Adam Wyeth
    Nuala O’Connor’s novel Miss Emily is more than a portrait of a poet executed with exquisite precision. It offers a fresh, enhancing approach to Dickinson’s inner life, showing a woman with zest and independence of mind.

    We’re No Angels

    Philip O’Leary
    We’re No Angels
    Máirtín Ó Cadhain’s masterpiece ‘Cré na Cille’, which portrayed the meanness and bitter scurrility of the inhabitants of a Conamara graveyard, lacked an English translation for over sixty years. Now it has two, each, in their different ways, doing the classic work full justice.

    Hard and Soft

    Eiléan Ní Chuilleanáin
    The virtues of Jane Clarke’s first verse collection include a broad sympathy that never usurps the voice of the other, a pleasure in ingenious objects and crafts that is deftly transmitted and a clarity which does not deny mystery but makes room for it.


    Keith Payne
    The answer then as to why tell these women’s stories, why write this, why read this, are the poems themselves. As with all the important questions, the questions that need to be asked and often can only be formulated by a poet, the poem is the answer.

    Voices from Elsewhere

    Tom Tracey
    Rob Doyle’s new collection demands to be read if for no other reason than to observe what the new generation of talent is beginning to produce by way of a tradition moving steadily away from McGahern’s Ireland into a foreignness no less real for being in no way green.

    The City As Hero

    Gerard Smyth
    If there is a ‘larger than life’ character in Lia Mills’s novel ‘Fallen' it is the city of Dublin itself, whose street names are evoked with a Joycean reverence. This makes it a peculiarly appropriate choice to be chosen as this year’s One City, One Book

    McGahern And Tradition

    Denis Sampson
    A new study of John McGahern is grounded in a capacious knowledge of his fiction, his reading, his manuscripts and notes, and other critics’ work. It will allow us to assess his enduring reputation fifty years after the career began and a decade after its end.

    A Terrible Thing

    Pauline Hall
    Iris Murdoch’s Easter 1916 novel ‘The Red and the Green’ (1965) expresses some of her own early Marxist and feminist attitudes, as when a character asserts that ‘being a woman is like being Irish. Everyone says you’re important and nice, but you take second place all the same’.