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Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    Betwixt

    Terence Brown
    Louis MacNeice’s career was a matter of negotiating between conflicting realities, Belfast and Dublin, Ireland North and South, Ireland and England, Europe and America, peace and war ‑ he chose London over Ireland and a then non-combatant US lest he miss history.
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    A Bird Pipes Up

    Billy Mills
    There is always some question around the best, or perhaps the least-worst, way of translating poetry. One view is that translating verse into prose leaves out almost everything that makes the original worth reading in the first instance.
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    Father of the Artist

    Barry Sheils
    Mike McCormack’s new novel is a successful and moving work, not least because it contains a public reckoning at its centre – a plea for accountability not typical in Irish writing, which remains overly impressed by its grim array of scapegrace dandies, scouring matriarchs and domesticated Oedipuses.
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    The Long Note

    Brendan Lowe
    The opening poem in Paddy Bushe’s new collection gives a sense of an art emerging from a relationship with the natural processes occurring constantly in a particular place, processes which transcend time, while the music played is a different phenomenon from the songs ringing in the New Year down in the village.
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    Far from Home

    Carol Taaffe
    Far from Home
    Mia Gallagher’s new novel is a capacious one. It is difficult to capture all at once, and as such it is a work that would repay returning to. As the playful cabinet of curiositiesdevice that it features might suggest, it is also a novel that might appear very differently on each reading.
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    This Island Now

    George O’Brien
    One of the most distinctive aspects of O’Faoláin’s ‘The Bell’ was its reportage, a genre related to British and American traditions of documentary writing, a departure from the ‘belles lettres’ conception and a socially conscious attempt to extend literature’s democratic appeal and demographic reach.
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    Sad in the Suburbs

    Brendan Mac Evilly
    Our image of Maeve Brennan is most often of an elegant and sophisticated woman looking very at home in a New York apartment. Her Dublin stories, however, portray frustrated lives in a respectable but constricted world, the middle class suburban world in which she grew up.
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    Opening Out

    Afric McGlinchey
    In a collection of almost sublime purity, Vona Groarke moves from a youthful confidence inspired by love, to a state of ‘chassis’, and finally to a point where she looks outward from the confines of the symbolic house which has served her so often as an image.
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    Landscapes of Displaced Desire

    Tom Tracey
    A debut collection of short stories is fraught in mood, yet maintains a composed tone alongside meticulous description. At times it feels like a contemporary ‘Dubliners’ written for the People’s Republic of Cork, shot through with its author’s impressive ‘descriptive lust’.
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    Watching the Moods

    Gerard Smyth
    Coming just a few years after his ‘Collected Poems’, Macdara Woods’s new collection demonstrates the progression towards a lifelong unitary project; poem adds to poem, book to book. Because of that consistency poems from forty years ago still wear well.
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