Online culture is a strangely proportioned new world, and it needs a map. Into this space comes Angela Nagle’s persuasive essay ‘Kill All Normies’, which charts the frenetic online culture wars of the last decade, marking and delineating their evolving political mutations.

What we call fairytales rarely feature fairies, but they recount, in a rich code of metaphors and symbols, the journey of human beings from childhood to adulthood. They are simple and profound, in structure elementary and unfussy, in ideas basic and universal, in style beautiful and attractive.

Nineteenth century linguistic scholarship led to the identification of a language family designated as ‘Indo-European’. The demonstration that ancient Western languages such as Latin or Greek were related to similar Eastern languages permitted the hypothesis of a common mother language.

The record label owner can be seen as the freebooter who turned up treasure in the buried American lives crying out in the hollers of the fields or the hymns of the hollows. Did well out of it too, knowing the ways of copyright and related business niceties. Well, it’s a free country, or so they say.

An impressive study by an Irish-born journalist who is a long-time resident in the confederation moves beyond lazy cliche and prejudice, driven by a desire to get the facts about the country straight, and for those facts to be fair and accurate.

When Bob Dylan blasted out his electric version of “Maggie’s Farm” at the Newport Folk Festival in 1965, he was, for many, committing sacrilege. Pete Seeger, who at the time epitomised American folk music tradition, was said to have called for an axe to cut the cables.

The political battle in Britain was fought at a mythic level, and the image of the golden age, with its appeal to the restoration of national identity, triumphed. But only just. The Remainers foolishly failed to paint their vision in mythic oils, preferring the pointillism of practical details.

The bloom of Existentialism may have faded today - though its presence is still felt in literary work - but fifty years ago every fashionable person wanted to learn about it, the Establishment fretted about it, and almost every journalist seemed to be using it to make a living.

The last book from the late German sociologist Ulrich Beck offers a grim prognosis for our future as a society, with traditional political institutions helpless before the power of capital and the reactions of right and left devoid of intellectual content, functioning only to let off steam.

Home computing and word processing are now so taken for granted that it’s hard to recreate how big a deal their first appearance was. One writer compared the cost of his device to his daughter’s school fees. Another had to have the machine lifted into his house by a crane.