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Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    Judging Fintan Judging Shaw

    Anthony Roche
    Judging Fintan Judging Shaw
    Most Shavians steer clear of discussing Shaw’s final decades. It is then that he starts cuddling up to dictators, of whom there was no shortage at the time. Beatrice Webb blamed his admiration for Mussolini on 'his intellectual isolation and weakness for flattery'.
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    No Hope of an End

    Kevin Stevens
    No Hope of an End
    Nicole Krauss has made her mark with fiction that is technically daring, emotionally vibrant, and unafraid of the largest subjects. She is fresh and individual but knows from where she comes. Her most recent novel has Philip Roth’s influence all over it, while Kafka’s shade hovers in the background.
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    The Philosopher as Private Collector

    Catalin Partenie
    The Romanian philosopher Alexandru Dragomir was a pupil of Heidegger in Germany until 1943, when he was conscripted into the Romanian army. In the communist period, he had to hide this background. He never published, but after his death, almost a hundred notebooks were found among his belongings.
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    Thinking ’bout the Things

    Afric McGlinchey
    The strongest impression in Eva HD’s new collection of poems is of her casual register (she often uses words like ‘dunno’ and ‘uh’) and her focus on what Heidegger refers to as the thingness of things.
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    People of No Account

    David Langwallner
    Arundhati Roy’s new novel, her first for twenty years, has many passages of fine writing but overall is something of an aesthetic mess. The key to understanding it and the passionate political impulses that lie behind it are perhaps to be found in Roy’s political writing about her native India.
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    Reclaiming the Lyric

    Justin Quinn
    Modernism, for many decades from the mid-twentieth century, dominated how we understood the visual arts, music, architecture, and design. If you wrote poems in rhyme about landscape and the seasons at the beginning of the twentieth century, you were out.
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    The Resident and the Stranger

    Frank Freeman
    Tolstoy oscillated between the profligate life and stable family life. Tolstoy the Resident wanted to live on his estate, write great works of art and love his family. Tolstoy the Stranger, alienated from family and society, wanted solitude, to serve pleasure when he was young and God when older.
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    Team Amis

    Kevin Power
    To be accepted into Martin Amis’s canon of greats you must be a writer, not necessarily of brilliant novels, or even of brilliant chapters, but of brilliant sentences and paragraphs. Plot, form, structure, psychological insight: all of these are secondary matters.
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    With Karl and Groucho

    Billy Mills
    Augustus Young’s imagined conversations between Bertolt Brecht and Walter Benjamin, taking the form of a Socratic dialogue, range across the role of ideas in art, public versus private, the role of the audience, love, happiness, knowledge, Marx (Karl and Groucho) and racism.
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    Joe’s Golden Years

    Giles Newington
    Salman Rushdie’s new novel is set in an America switching from Obama to Trump. While it may not be entirely clear what he is telling us about the ‘post-truth’ world, Rushdie’s primary gift as a storyteller seems to have survived in a story full of verve and invention.
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