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Space to Think, a new book celebrating ten years of the Dublin Review of Books More Information 

    Less Thought, More Action

    Antony Tatlow
    Less Thought, More Action
    The German theatre company Schaubühne has toured its surtitled version of Hamlet in a translation which would more be accurately described as a transformation. The interpretation may be daring but the interweaving of meaning and “music” which makes Shakespeare’s language so memorable is lost.
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    The Scruple of Detail

    Michael Cronin
    Shifted whole from one language to another, philosophical terms leave behind a rich history of usage, interpretation, and interaction with other terms. To understand them properly we must recover some of that past, working against the grain of  the monologic of the monoglot.
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    In the Rubber Kingdom

    Andrew Lees
    In 1908,1,675 vessels docked in the harbour of Manaus on the Amazon, the steamships stashed with a cornucopia of extravagances including Huntley and Palmer’s biscuits, tinned Danish butter, White Label whisky, Maples cedarwood tables and Victor gramophones.
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    Saved by Rock ’n’ Roll

    Desmond Traynor
    In the 1950s, when Susan Sontag was a young woman, high culture, middlebrow culture and pop culture existed in hermetically sealed spheres. In her writings on pop and as a pioneer of film studies in the English language cultural sphere, she was decisively to change all that.
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    The Long Slide

    Magda Kay
    The Long Slide
    Philip Larkin’s restless spirit could not commit to any one course: he wrote serious poems and comical ones, had serious friends and comical ones, a religious and ‘proper’ lover and a sceptical, flamboyant one; he coveted fame and luxury - bathing and booze and birds - yet was known as a hermit.
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    A Serious Business

    Brian Davey
    Edward St Aubyn has undoubted comic gifts, as he has proven in his previous work, but his satire on the Booker Prize judging process tacks a little too closely to burlesque. Perhaps he was having so much fun he ‘let himself go’. But satire, when it is successful, is a serious business.
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    The Dead Assemble

    Nathan Hugh O’Donnell
    The title piece in Brendan Cleary’s new collection is an elegy on the death of his brother. Overall, his poetry conveys an experience of real privation, of alcoholism and loneliness, which speaks to a wider and more long-standing reality about which we in Ireland perhaps don’t want to hear.
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    The Snug Opaque Quotidian

    Kevin Stevens
    Some critics thought John Updike ‘a minor novelist with a major style’, a misjudgement which may be based on a doctrinaire rejection of the suburban middle class life which was his material and which he represented in all its fullness and lushness, ‘giving the mundane its beautiful due’.
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    Erdoğan Passes the Symplegades

    Joseph Burke
    Turkish writers remain vitally engaged with politics as the nation is reshaped and the population divided by the polarising President Erdoğan. Their analyses go deeper than Western interpretations of Erdoğan as simply another Islamist demagogue, and they protest in the hope of reconciliation and the restoration of secularism.
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    But I Live in Dublin

    Sean Sheehan
    The Dublin Notebook, appearing as the seventh volume in OUP’s collected Hopkins, is an exemplary work of scholarship and from now any serious piece of writing about the last phase of Hopkins’s life will rely on and be grateful for the painstaking work of its two editors.
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